JAPAN'S EXTREMITIES

Japan often conjures up images of crowded metropolises, crazy game shows, an abundance of vending machines, and a culture permanently set to overdrive that never sleeps. On the fringes lurk some of cinemas strongest images: Shinya Tsukamoto’s industrial nightmares spawned the visceral TETSUO film; RAMPO NOIR’s quartet of moody J-horror tales updates the genre beyond creepy, white-faced children; and, with over 70 films on his resume the works of prolific auteur Takashi Miike could fill a whole booklet – from over-the-top yakuza tales to children’s ghost stories. Japanese cinema provides a world of confronting and rewarding viewing.

Products

  • Audition

    Audition cemented Miike as an original force in Japanese cinema. Beginning as a deceptively ordinary drama about a lonely widower looking for companionship, Audition climaxes in an out of control endurance test of the audiences’ nerves.
  • Gozu

    Detached from genre and thoroughly unpredictable, Gozu is a stand-out in Miike’s filmography. Nightmarish and hilarious at the same time, the film weaves themes of love, loyalty and re-birth with a demented post-logic only Miike could imagine.
  • Great Yokai War

    A group of supernatural creatures enlist the aid of a young boy to put an end to the apocalyptic plot set in motion by an evil entity determined to destroy mankind. A visual treat for younger and older viewers alike.
  • Ichi The Killer (Uncut)

    One of the most over-the-top pieces of yakuza gore ever produced. Ichi the Killer runs red with blood from start to finish and takes no prisoners as the film hurtles along a road of depraved violence and bad taste.
  • Rampo Noir

    A horror anthology in which four directors interpret the works of Japanese writer Edogawa Rampo. Rampo Noir presents an intoxicating array of challenging and truly terrifying imagery expertly crafted to leave a lasting impact on the viewer.
  • Tetsuo: Iron Man & Body Hammer

    The two Tetsuo films cemented Shinya Tsukamoto’s place as an auteur on par with Cronenberg and Lynch with his intense industrial imagery. This se  is the perfect introduction to one of the maestros of Japanese filmmaking.

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